Browse the Belkin Collection
Ruins in Process: Vancouver Art in the Sixties
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Archives

The Belkin Gallery houses archival collections complementing its collections of art and providing a resource for exhibitions, teaching, and learning, and scholarly research. Related especially to contemporary art since the 1960s, the archives include the papers of artists, art historians, and collectors, and contain material in multiple media (textual, graphic, moving image and sound), with a thematic focus on conceptual art, concrete poetry, mail art, performance art, social art history, and cultural history.

The Archives is open to all researchers by appointment on Thursdays and Fridays. Please contact Krisztina Laszlo, Archivist to plan your visit.

For a detailed list of holdings, please consult Memory BC:
http://www.memorybc.ca/morris-and-helen-belkin-art-gallery

Prominent holdings include:

Morris/Trasov Archive

Established in 1992, the Morris/Trasov Archive is housed at the Morris and Helen Belkin Art Gallery. The Morris/Trasov Archive is an extensive collection related to the art practices of “Michael Morris” and “Vincent Trasov”. The items that comprise the archive date predominantly from 1969 to 1974.

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Kenneth Coutts-Smith fonds
[194?]—1995

The Kenneth Coutts-Smith Fonds is a multiple media collection of the papers of this English artist, critic and historian active in Canada, consisting of Coutts-Smith correspondence, manuscripts, and other papers predominantly from 1952-81, including a collection of artists files, especially Yugoslav artists such as zaj.

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Peter Day Collection

The Peter Day Collection of concrete poetry consists of over two thousand items predominantly 1960—90 with an emphasis on sound, found, one word, and typewriter poetry as well as on Ian Hamilton Finlay, bill bissett, Arrigo Lora-Totino, and concrete poets of Italy, Spain, Canada, and South America.

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Eric Metcalfe fonds

The Eric Metcalfe Fonds consists of the papers of the Canadian artist known as Dr. Brute, associated with Lady Brute (Kate Craig) and with Leopard Reality; the fond contains multiple media material largely from 1968—72.

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