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  1. ssKeesic Douglas, Blanket #3, 2010

    Keesic Douglas, Blanket #3, 2010.
    C-print, 76.2 x 101.6 cm.
    Courtesy of the artist.

  2. ssFan-Ling Suen, study for The Teeter-Slaughter, 2010

    Fan-Ling Suen, Study for The Teeter-Slaughter, 2010. Steel, wood (fir), concrete and sand,
    Base structure: 295.6 x 213.4 x 426.7 cm,
    sandbox: 121.9 x 118.9 cm.
    Courtesy of the artist.

  3. ssSydney Hermant, After Second Nature, 2010

    Sydney Hermant, After Second Nature (detail),
    2010. Acrylic paint, vessels, newspaper, glue, chicken wire, MDF and rope, dimensions variable.
    Courtesy of the artist.

  4. ssZoe Tissandier, All the news from home as it happens, if it happens, 2010

    Zoe Tissandier, All the news from home as it happens, if it happens (still), 2010.
    Video projection and glass, 30.5 x 20.3 cm.
    Courtesy of the artist.

  5. ssClare Yow, HQ 1075-1075.5; HQ 1088-1090.7; HQ 1101-2030.7, 4 Jan 1973 - 10 Apr 2001 (detail), 2010

    Clare Yow, HQ 1075-1075.5; HQ 1088-1090.7; HQ 1101-2030.7, 4 Jan 1973 - 10 Apr 2001 (detail),
    2010. Inked paper slips 365.8 x 121.9 cm.
    Courtesy of the artist.

Here today, gone today

UBC Master of Fine Arts Graduate Exhibition

Keesic Douglas, Sydney Hermant, Fan-Ling Suen,
Zoe Tissandier, and Clare Yow

September 3 - 19, 2010


Reception Thursday, September 9, 7 - 10 pm

External critique with Distinguished Visiting Artist Ken Lum:
Sunday, September 19, 12 - 5 pm


The Morris and Helen Belkin Art Gallery is pleased to present an exhibition of work by the 2010 graduates of the Department of Art History, Visual Art and Theory at UBC’s two-year Master of Fine Arts program.

Keesic Douglas’ photography and installation work adopts the forms of fashion and pop culture imagery. He uses deadpan humour to question the objectification and commodification of First Nations’ culture and history by embracing and portraying stereotypes and artifacts.

Sydney Hermant’s aggregates of disposable materials and automatic processes result in sculptural installations of petrified paint. She uses ubiquitous materials such as coffee cups and plastic bottles to enact precariously balanced systems of materials that drip paint to make artwork over time. Her practice embraces a variety of forms that reflect on the notions of productive and unproductive uses of free time through rigorous hobbyism.

Fan-Ling Suen uses morbid humour to explore the forging and severing of human relations and family ties. Her sculpture works call for interaction and play to entice the viewer into a possibly dangerous situation. Influenced by games and stories, she makes set-like sculptures that rely on role-playing and invoke imagined scenarios.

Zoe Tissandier’s practice is research-oriented, and touches on aspects of archives, collections and storage systems to form propositions related to the classification and display of material and knowledge in her work. She uses video, personal collections, found text, sound and installation. Her practice has been influenced by her transition from the UK to Canada to investigate the position of the long-term tourist. Her recent work addresses the souvenir, in particular the snow-globe —a miniature landscape that can contain and immortalize memory.

Clare Yow’s installation and sculpture work shows a concern for seemingly banal systems of indexing everyday activity. She performs and creates installations about collective and individual memory and references the physical marking of duration through labour. She is interested in the commonplace, mimicry and repetitive actions, the gender associations of formal artistic strategies, and has recently employed the use of the grid in order to investigate its rigid and chaotic qualities.

The exhibition is presented with support from the Department of Art History, Visual Art and Theory at the University of British Columbia.



Comments


The following comments have been entered at a kiosk available to visitors to the gallery. Only the 10 most recent comments are shown, see more on the comments page.



Jim from Surrey at 4:54 pm Sunday, September 19, 2010

Art from library cards ..Wow that's creative!


Francis Davy from Paris, France at 2:30 pm Wednesday, September 15, 2010

Good exhibition, really liked the art from Sydney Hermant with all the cups and wires. It felt like a fun piece, and that's something i've really come to appreciate.


Terry from Surrey, BC at 1:26 pm Tuesday, September 14, 2010

I enjoyed the irony of Keesic's exhibition. The portraits were striking and made me think. I loved the idea behind the see-saw. It's great to be able to actually interact with the art. I wish parts of it were more functional... but that could be dangerous in a public gallery space.


Pauline Lo from Seattle, WA USA at 2:04 pm Sunday, September 12, 2010

Excellent work! Very impressive! I especially enjoy the work by Fan Ling Suen--Teeter Slaughter. It combines physics and fine art and fun game. Very unique, it is not only has educational value for science of the lever principle, but also the expression of mind. I hope this piece of art will be displayed in science centers or public places to educate young people to promote the awareness of arts and science.


stoph at 4:36 pm Friday, September 10, 2010

I was especially moved by the (red)man photo series as it has forced me to face my instant reactions to the portraits.


owaisj at 12:37 pm Friday, September 10, 2010

let us feeeeeel the art


Naomi at 10:25 pm Thursday, September 9, 2010

the see-slaughter piece is inspirational and incredibly creative. I loved how you can actually experience the work of art through physical interaction. Fantastic job!


oh steve, you wanna break up!? at 8:40 pm Thursday, September 9, 2010

oh, yes steve, we should break up!


Emily from Vancouver at 3:27 pm Wednesday, September 8, 2010

I enjoyed the see saw. I liked how, for once, you could interact with the art.


Julie and Jeannie from Vancouver at 2:17 pm Wednesday, September 8, 2010

We really liked the tents and the "see saw". Great exhibition!


For further information please contact: Jana Tyner at jana.tyner@ubc.ca,
tel: (604) 822-1389, or fax: (604) 822-6689